LOUIS COMFORT TIFFANY.
LCT began his career as a watercolorist. He achieved enough success to exhibit at the American Water Color Society and the National Academy in the 1870’s and at Paris’s Universal Exposition in 1878.  In 1879, he founded an interior design company, winning commissions to redecorate the homes of Mark Twain and Cornelius Vanderbilt, as well as the White House. 
Around this time, Tiffany also began experimenting with pottery and glass making. His work in these mediums brought him fame. In 1885, he opened the Tiffany Glass Company. Over the next two decades, Tiffany created objets d’art, lamps, and pottery featuring Favrile glass, a type of iridescent glass that he patented in 1894, and stained glass. His pieces won him wide acclaim, including a Grand Prize at Paris’s International Exhibition in 1900.
As of 1902, when he began to work at Tiffany's jewelry design department, he had not yet tried his hand at jewelry.  When he began to create, his style was clear. LCT’s jewelry featured designs inspired by nature (e.g., dragonflies, vines, flowers), mythology (e.g., Medusa), and ancient history. Constructed in yellow gold, his pieces were often embellished with enamel and set with semi-precious gemstones like moonstone, tourmaline, and garnet. The jewels were well received and remain excellent examples of the Art Nouveau style. Julia Munson, a designer in the Arts and Crafts movement, was often one of his key collaborators.
Louis Comfort Tiffany was the son of Charles Lewis Tiffany, founder of American jeweler Tiffany and Company. He served as the design director for Tiffany from 1902-1918.
In this book, Loring claims to restore the “dissociation” between Tiffany and Company and the artistic endeavors of Louis Comfort Tiffany. When Loring took over in 1979, he claims that “there was not a single design of Louis Comfort Tiffany’s in the company’s collections, nor any mention of him in the company’s literature beyond the fact that he had been named its first design director in 1902 and that this jewelry, as well as his many decorative objects, had been retailed by Tiffany” (8). The book’s aim, therefore, is to emphasize LCT’s importance to Tiffany and Company’s history. Somewhat informative. Great photos.